Tjunkaya Tapaya OAM: Nyuyuntja stoking of the fire, keeping the fire alive

Nyuyuntja – stoking of the fire, keeping the fire alive, celebrates the life and work of Tjunkaya Tapaya OAM (1947 – 2025). As a senior Anangu elder, and ‘deep culture woman’, Mrs Tapaya was one of the most accomplished artists associated with Australia’s longest running and highly acclaimed Aboriginal Art Centre, Ernabella Arts.

This exhibition showcases a selection of artworks made in the final years of Mrs Tapaya’s life, which highlight her confidence as a creator and storyteller, alongside the purpose and passion inherent to her practice. Nyuyuntja features works across ceramics, batik, painting and tjanpi weaving. Central to the exhibition is a significant new artwork honouring the Kunkarungkalpa Tjukurpa (Seven Sisters creation story). Combining Tjanpi weaving with ceramics, it has been finalised after Mrs Tapaya’s passing by her collaborators at Ernabella Arts and Tjanpi Desert Weavers.

Tjunkaya Tapaya: Nyuyuntja – stoking of the fire, keeping the fire alive is JamFactory’s ICON exhibition for 2026. Through Nyuyuntja, we honour Mrs Tapaya’s great contribution to Aṉangu culture and her incredible legacy — one that keeps the fire burning for Aṉangu — and generously shares it with audiences.

The exhibition will be launched at JamFactory Adelaide as part of SALA Festival before travelling to JamFactory Seppeltsfield. It is accompanied by a 124-page monograph with contributions by Anne Thompson and Adele Sliuzas.

Tjunkaya Tapaya: Nyuyuntja – stoking of the fire, keeping the fire alive is presented in partnership with Ernabella Arts and is supported by the Australian Government through Creative Australia, its principal arts investment and advisory body.

Exhibitors: Tjunkaya Tapaya OAM
And collaborators; Imiyari Adamson, Mukayi Baker Winton , Jennifer Connelly, Jacinta Heffernan, Atipalku Intjalki, Sylvana Kenny, Imuna Kenta, Jennifer Kulyuru, Daisybell Kulyuru, Michelle Lewis, Lynette Lewis, Madeline Marshall, Alison Milyika Carroll, Janice Stanley, Carlene Thompson, Marissa Thompson, Vivian Thompson, Janet Tjitayi, Katrina Tjitayi and Margaret Winton 

We advise that this listing contains the name and images of Tjunkaya Tapaya OAM (1947 - 2025), shared with her family’s permission and in keeping with her wishes, so that her work for art, Aṉangu and culture continues to be remembered.

Tjunkaya Tapaya OAM: Nyuyuntja stoking of the fire, keeping the fire alive exhibition, Image: Connor Patterson

Jessica Murtagh: In the garden of Eden, honey

In the garden of Eden, honey presents a new body of blown glass works by Tarndanya-Adelaide artist Jessica Murtagh that celebrates the beauty, complexity and abundance of the natural world. Inspired by the flowing forms of the Art Nouveau movement and the rich decorative traditions of stained glass, the exhibition features large-scale rondels and sculptural works adorned with intricate botanical imagery.

Through engraving, sandblasting and subtle applications of precious metal leaf and glass enamel, Murtagh creates layered compositions that shift with changing light and perspective. Leaves, flowers and trailing vines emerge across transparent surfaces, inviting viewers to look closely and discover hidden details within the imagery. Drawing on a lifelong love of gardening and an appreciation for ornament and beauty, Murtagh explores the enduring appeal of botanical imagery and the ways light can animate and transform a surface. 

Jessica Murtagh, Golden Gingko III (detail), 2024, blown glass, 24k gold leaf, sandblasted and engraved, Photographer: Jesse Reagon 

An exhibition of creative works by South Australian designer, artist and researcher Guy Keulemans in collaboration with leading Australian designers. This is the third iteration in the biennial series of solo exhibitions presented by JamFactory in partnership with Adelaide University to highlight the artistic achievements and knowledge of key members of the creative faculty. 

For many, the material world has never been more abundant, while planetary existence has never been more perilous. In the face of an interconnected crisis – waste, pollution, climate change and the unease of accelerating production and consumption – Keulemans and his collaborators ask, what is the role for design and craft? What is it that should be made, or remade? The works in this exhibition attempt to bring into the senses new aspirations for the manufactured world. Themes of transformative repair, localism and collaboration explore the agency in studio practice. The collaborations are signified by the X in the title; a symbol of a multiplying force for the consensus required to change material culture. 

Presented as part of Adelaide Design Week

Presented in partnership with Adelaide University

Guy Keulemans, Bolaji Teniola and Melvin Josy, Repaired Red & Blue Chair, 2026. Photo: Connor Patterson.