COMING UP // FUSE Glass Prize
COMING UP // FUSE Glass Prize
19 Morphett St
Tarntanya / Adelaide
South Australia
Kaurna Country
Open Daily
10:00am – 5:00pm
Sales Enquiries
Ali Carpenter
(08) 8414 7225
ali.carpenter@jamfactory.com.au
Location:
JamFactory
Tarntanya/Adelaide
Kaurna Country
Presented by JamFactory, the FUSE Glass Prize is a non-acquisitive biennial prize for Australian and New Zealand glass artists. The winner of the FUSE Glass Prize will receive a cash prize of AU$20,000. In addition, the winner of the David Henshall Emerging Artist Prize will receive AU$5,000 cash and a professional development opportunity at JamFactory valued at a further AU$5,000.
Since it was established in 2016, the FUSE Glass Prize has become the most prestigious platform for celebrating and supporting outstanding glass artists from Australian and New Zealand.
18 Finalists (12 Established Artists and 6 Emerging Artists) will be selected as part of an exhibition at JamFactory, Adelaide before touring to the ANU School of Art & Design Gallery, Canberra .
The biennial FUSE Glass Prize and FUSE Glass Residency continues to be predominately funded through private philanthropy and sponsorship with ongoing support from the Carrekers alongside Dr Pamela Wall OAM and Dr Ian Wall AM (1931-2022), David McKee AO and Pam McKee, Diana Laidlaw AM, Susan Armitage, Nicholas Linke OAM Maia Ambegaokar and Joshua Bishop. The David & Dulcie Henshall Foundation continue to generously support the Emerging Artist Category of FUSE through the David Henshall Emerging Artist Prize.
Emerging Finalists: Racquel Austin-Abdullah (Vic), Jordan Benson (Vic), Bradley East (SA), Bindi Nimmo (SA), Isobel Waters (SA), April Widdup (ACT)
Established Finalists: Gabriella Bisetto (SA), Annette Blair (NSW), Dominic Burrell (NZ), Christine Cathie (NZ)
Mel Douglas (ACT), Nicholas Folland (SA), Holly Grace (NSW), Jessica Loughlin (SA), Nick Mount (SA), Kirstie Rea (NSW), Tom Rowney (NSW), Janice Vitkovsky (SA)
Bindi Nimmo, No Grown Ups Allowed, 2025, Image: Connor Patterson
Location:
JamFactory
Tarntanya/Adelaide
Kaurna Country
Sales enquiries
Contact Lucy Potter
lucy.potter@jamfactory.com.au
Avital Sheffer is a ceramic artist based on the North-Coast of New South Wales. Drawing on her Middle Eastern and Jewish ancestry, Sheffer’s ceramics traverse the fertile territories of history, mythology, archaeology and language. In her practice, she creates generous ceramic vessel forms that are strong in presence and refined in detail. From her native country of Israel, Sheffer brings a deep engagement with multi-faceted Middle Eastern cultures, history and design – complexities and dilemmas she explores in her work.
In her current solo exhibition, Sheffer explores the theme of Convivencia, a Spanish word meaning ‘living together’ or ‘coexistence’. The term is used to describe a period in Spanish history that refers to a time when Muslims, Christians and Jews lived together in the Iberian Peninsula (Al-Andalus) under Islamic rule:
“Beneath our feet the earth was embedded with shards of clay. Their presence and the stories they seemed to have whispered ignited my imagination since childhood.
Settlement and exile, conflict and conquest, contested lands and religious wars between diverse cultures have shaped the history of the Middle East and the Mediterranean Basin for millennia. Yet material objects and written records also speak of Convivencia – the ability to coexist and evolve in this fertile cultural crossroads where ideas, languages and traditions converse.
At the heart of this body of work is the unfolding inquiry of my cultural and historical roots and the intimate dilemmas of identity, language, body and beauty.
This group of gestural ceramic vessels made with coils, draped with dry glazes, prints and a hint of gold are my reimagining of the enigmas and splendours of the Convivencia.”
Avital Sheffer
Búcaro IV, 2026, E/W clay, glazes, gold lustre, 560 x 200 x 160 mm; Búcaro III, 2026, E/W clay, glazes, gold lustre, 480 x 200 x 160 mm, Photo: Sam Clarke
Location:
JamFactory
Tarntanya/Adelaide
Kaurna Country
Sales enquiries
Contact Lucy Potter
lucy.potter@jamfactory.com.au
Quiet Geometry brings together works from seven artists across multiple disciplines that explore the subtle power of line, form, and spatial order. Through measured compositions, this exhibition demonstrates how geometry can be both method and expression. Each work invites close attention, revealing a quiet language of balance, precision, and intentional design.
Exhibitors: Peta Berghofer, Liam Bryan-Brown, Bradley East, Lucy Hearn, Manon van Kouswijk, Peta Kruger, Lisa Lapointe.
Bradley East, In Search of Stillness, 2026, blown, coldworked and engraved glass, dimensions variable, Photo: Connor Patterson
Location:
Carrick Hill
46 Carrick Hill Dr
Springfield SA 5062
Carrick Hill is open Wednesday to Sunday 10AM - 4:30PM.
JamFactory and partner Carrick Hill present the 2026 FUSE Glass Artist Residency Exhibition showcasing Melbourne based glass artist Nadège Desgenétez
Awarded biennially in alternate years to the FUSE Glass Prize, the FUSE Glass Artist Residency aims to create significant opportunities for established, mid-career artists working in glass. Valued at more than $20,000 the residency provides studio access in JamFactory’s Glass Studio and a solo exhibition at Historic House Museum and Garden, Carrick Hill.
Nadege Desgenetez's work is inspired by her experience of migration, and the ways in which feelings of connection to, and dislocation from place can coexist. Her recent sculptures in glass and mixed media explore how to relay and mediate embodied experiences of inter-relation and distance. Abstract blown glass forms merge body and tree, soft and hard, flow and stillness... Surfaces, colours and reflections echo natural phenomena. Desgenetez draws on the movement of her body in making, the processes of glass blowing, combined with mirroring, carving, polishing, and sanding to find ambiguous forms and mine the optical and tactile qualities inherent to the medium. The works seek to engage the viewer physically, to be encountered, through shifting reflections and dynamic display. Most recently, following the disruptions of the COVID years, Desgenetez became interested in the contemporary primacy of sight, notably in the ways in which screens and lenses mediate our encounter with the natural world, and each other, near and far.
Nadege Desgenetez, Orb, 2018. Photo courtesy of the artist.